授業の目的 【日本語】
Goals of the Course(JPN) | | | この授業は、戦前戦中の日本映画史と、全般的な日本の戦前戦中史を学ぶことを目的とする。 |
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授業の目的 【英語】
Goals of the Course | | | This class provides students with an opportunity to learn both a basic history of prewar Japanese cinema as well as a general social history of prewar Japan. A particular emphasis is put on analyzing films related to some of the socio-historical issues that became significant before and during World War II. |
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到達目標 【日本語】
Objectives of the Course(JPN) | | | The class's objectives are that students develop (1) to grasp a basic history of prewar and wartime Japanese cinema, (2) to nurture the knowledge about the prewar and wartime Japanese history in general, and (3) to develop their critical thinking and analytical skills. |
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授業の内容や構成
Course Content / Plan | | The course comprises a combination of screenings, lectures, and discussions.
1 Introduction
2 Early Cinema, Early Stardom: Viewing and discussing Shibukawa Bangorō (1922)
3 Early Cinema, Early Stardom: Lecture and discussion
4 Restructuring Japanese Cinema of the 1920s: Viewing and discussing several films
5 Restructuring Japanese Cinema of the 1920s: Lecture and discussion
6 Tendency Film and Marxism: Viewing and discussing What Made Her Do It? (1930)
7 Tendency Film and Marxism: Lecture and discussion
8 Shōshimin (Petit-bourgeois) Film and Everyday Life: Viewing and discussing I was born but… (1932)
9 Shōshimin (Petit-bourgeois) Film and Everyday Life: Lecture and discussion
10 The Modern Girl and Modernity: Viewing and discussing Naniwa Elegy (1936)
11 The Modern Girl and Modernity: Lecture and discussion
12 Militarism and Nationalism: Viewing and discussing The War at Sea in Hawaii and Malaya (1942)
13 Militarism and Nationalism: Lecture and discussion
14 Empire and Colonialism: Viewing and discussing China Night (1940)
15 Empire and Colonialism: Lecture and discussion |
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履修条件・関連する科目
Course Prerequisites and Related Courses | | | No requirement to take another course. |
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成績評価の方法と基準
Course Evaluation Method and Criteria | | 30% Presentation and contribution to class discussion
30% Quiz
40% Term paper |
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教科書・テキスト
Textbook | | Anderson, Joseph and Donald Richie (1982) The Japanese Film: Art and Industry, expanded ed. Princeton, NJ: Princeton University Press.
Baskett, Michael (2008) The Attractive Empire: Transnational Film Culture in Imperial Japan. Honolulu: University of Hawai‘i Press.
Bordwell, David (1988) Ozu and the Poetics of Cinema. Princeton: Princeton University Press.
Davis, Darrell (1996) Picturing Japaneseness: Monumental Style, National Identity, Japanese Film. New York: Columbia University Press.
Fujiki, Hideaki (2013) Making Personas: Transnational Film Stardom in Modern Japan. Cambridge, MA: Harvard University Asian Center.
Gerow, Aaron (2008) A Page of Madness: Cinema and Modernity in 1920s Japan. Ann Arbor, MI: Center for Japanese Studies, The University of Michigan.
High, Peter B. (1984) “The Dawn of Cinema in Japan.” Journal of Contemporary History 19: 23-57.
High, Peter B. (2003) The Imperial Screen: Japanese Film Culture in the Fifteen Years’ War, 1931-1945. Madison, WI: University of Wisconsin Press.
Kim, Dong Hoon (2009) “Segregated Cinemas, Intertwined Histories: The Ethnically Segregated Film Cultures in 1920s Korea under Japanese Colonial Rule.” Journal of Japanese and Korean Cinema vol. 1 no. 1: 7-25.
Kirihara, Donald (1992) Patterns of Time: Mizoguchi and the 1930s. Madison, WI: University of Wisconsin Press.
Phillips, Alastair (2007) “The Salaryman’s Panic Time: Ozu Yasujirō’s I Was Born But…(1932).” In Japanese Cinema: Texts and Contexts, ed. Alastair Phillips and Julian Stringer. London: BFI.
Wada-Marciano, Mitsuyo (2008) Nippon Modern: Japanese Cinema of the 1920s and 1930s. Honolulu: University of Hawai‘i Press. |
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参考書
Reference Book | | Berdnardi, Joanne (2001) Writing in Light: The Silent Scenario and the Japanese Pure Film Movement. Detroit: Wayne University Press.
Fujiki, Hideaki (2013) “Creating the Audience: Cinema as Popular Recreation and Social Education in Modern Japan.” In The Oxford Handbook of Japanese Cinema, ed. Daisuke Miyao. Oxford and New York: Oxford University Press.
Gerow, Aaron (2010) Visions of Japanese Modernity: Articulations of Cinema, Nation, and Spectatorship, 1895-1925. Berkeley: University of California Press.
Gordon, Andrew (2003) A Modern History of Japan: From Tokugawa Times to the Present. Oxford and New York: Oxford University Press.
Miyao, Daisuke (2013) The Aesthetics of Shadow: Lighting and Japanese Cinema. Durham and London: Duke University Press.
Miyao, Daisuke, ed. (2013) The Oxford Handbook of Japanese Cinema. Oxford and New York: Oxford University Press.
Standish, Isolde (2005) A New History of Japanese Cinema: A Century of Narrative Film. New York: Continuum. |
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課外学習等（授業時間外学習の指示）
Study Load(Self-directed Learning Outside Course Hours) | | | Students must complete the reading assignments prior to each class. Also, students are required to give a presentation and facilitate a discussion during the semester. |
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履修取り下げ制度（利用の有無）学部のみ
Course withdrawal | | |
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備考
Others | | |
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授業開講形態等
Lecture format, etc. | | | The class takes place onsite, but it may change, depending on the pandemic situations. For more detail, see NUCT in late September. |
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