授業の目的 【日本語】
Goals of the Course(JPN) | | |
|
授業の目的 【英語】
Goals of the Course | | | This survey course aims to introduce to the students the historical developments of contemporary Asian cinema culture(s). Importantly, we situate the study of film cultures at the conjuncture of cinéphile culture, national/regional film industries and business, and the global institution of art cinema, within a larger socio-cultural context across East and Southeast Asian societies that has been drastically changing since 1989/the end of Cold War. Although the lecture is structured in the ‘classic’ format of national cinema, in each section we would also underscore the dynamics of transnational cinema by looking at the importance of film festivals and similar network/entities. Through this unusual journey, the students are encouraged to rethink and debate on crucial issues related to film cultures and film movements across Hong Kong, Taiwan, the People’s Republic of China, South Korea, Japan and Southeast Asian countries such as the Philippines, Malaysia and Thailand. Hopefully this course would productively intersect film studies, area studies, gender studies, urban culture and sociology. |
|
|
到達目標 【日本語】
Objectives of the Course(JPN) | | |
|
授業の内容や構成
Course Content / Plan | | SCHEDULE OF CLASSES (a tentative plan)
NOTE: a detailed syllabus will be distributed at the Introduction
WEEK 1 INTRODUCTION
WEEK 2 ASIAN CINEMA CULTURE—BETWEEN THE NATIONAL AND THE TRANSNATIONAL I
WEEK 3 ASIAN CINEMA CULTURE—BETWEEN THE NATIONAL AND THE TRANSNATIONAL II
WEEK 4 Screening: Ugetsu (雨月物語), Dir. Kenji Mizoguchi, 1953, 96min
WEEK 5 SCREENING JAPAN I —TOUR DE FORCE OF THE MAESTROS
WEEK 6 SCREENING JAPAN II--ZAINICHI CINEMA?
WEEK 7 SCREENING CHINA I—STARTING/ENDING WITH THE FIFTH GENERATION?
Week 8 SCREENING CHINA II—FROM UNDERGROUND TO INDEPENDENT, AND TO DV-MADE CHINA
WEEK 9 TAIWAN NEW CINEMA AND ITS AFTERLIFE
WEEK 10 HONG KONG CINEMA FROM POST-1997 TO THE UMBRELLA REVOLUTION
WEEK 11 Screening The Host Dir. Bong Joon-ho, 2006, 119min
WEEK 12 THE RENAISSANCE OF KOREAN CINEMA AND ITS GLOBAL AUTEURS
WEEK 13 A GLIMPSE INTO THE SOUTHEAST ASIAN INDEPENDENT CINEMA
WEEK 14 Group Presentation
WEEK 15 THESIS WORKSHOP |
|
|
履修条件・関連する科目
Course Prerequisites and Related Courses | | | No requirement to take another course. |
|
|
成績評価の方法と基準
Course Evaluation Method and Criteria | | 35% Attendance +contribution to class discussion/presentation & Perusall Reading record (weekly)
10% take-home project (details TBA)
30% Reading Journal Assignments (15%x2)
25% Final Paper
To pass, students must earn 60 points in total.
NOTE: 3 times of absences, including for compulsory in-class screenings without proper evidence provided equals FAIL |
|
|
教科書・テキスト
Textbook | | | a compilation of PDFed readings. Please join the introduction session on the first day to get the detailed syllabus. |
|
|
参考書
Reference Book | | | a compilation of PDFed readings. Please join the introduction session on the first day to get the detailed syllabus. |
|
|
課外学習等（授業時間外学習の指示）
Study Load(Self-directed Learning Outside Course Hours) | | | We require the students to access the Perusall platform and work with the readings BEFORE they come to join our lectures on a weekly basis (at least ONE key reading will be assigned each week). Sometimes homework viewing of certain film titles is required. |
|
|
履修取り下げ制度（利用の有無）学部のみ
Course withdrawal | | | 利用する：『履修取り下げ届』を期日までに提出した場合は原則「Ｗもしくは欠席」となりますが、同届を提出しない場合は成績評価が行われ、合格基準に達しない場合は「Ｆ」となります。 |
|
|
備考
Others | | |
|
授業開講形態等
Lecture format, etc. | | | ZOOM (with the improvement of COVID, we may arrange in-person meetings) The Meeting ID＆ Passcode will be notified via NUCT system. |
|
|