授業の目的 【日本語】
Goals of the Course(JPN) | | |
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授業の目的 【英語】
Goals of the Course | | | As rightly pointed out by art historian Boris Groys, “there is…nothing more traditional than an orientation to the new”. Traversing and re-examining some of the most exciting and pressing research topics/questions in Film Studies today, this lecture aims to generate refreshing insights into the study of Asian film cultures in a globalizing era. Specifically, our weekly lectures will look at contemporary cinema culture from two broadly intersecting aspects, 1) how cinemas engage contemporary (East) Asian societies aesthetically and politically; 2) how the cycle and dynamics of film production, circulation, exhibition (spectatorship) have been related to the discourses of national cinema, transnational cinema, and global cinema. Most case studied films are from the region of East Asia. |
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到達目標 【日本語】
Objectives of the Course(JPN) | | |
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授業の内容や構成
Course Content / Plan | | (tentative weekly plan)
Week 1 INTRODUCTION
Week 2 REVISITING THE NATIONAL WITHIN THE EAST ASIAN CONTEXT
Week 3 TRANSNATIONAL CINEMA, THE JAPANESE CASE
Week 4 RETHINKING DOCUMENTARY CINEMA I: BUT WHAT IS DOCUMENTARY ANYWAY?
Week 5 RETHINKING DOCUMENTARY CINEMA II: ESSAY FILM, FIRST PERSON
Week 6 TOWARD FIRST-PERSON DOCUMENTARY: THE JAPANESE CASE STUDIES (Discussion)
Week 7 DEBATING XIANCHANG: RETHINKING CHINESE INDEPENDENT DOCUMENTARY
Week 8 DV CHINA: CHINESE INDEPENDENT CINEMA INTO THE 2000S (Discussion)
Week 9 WELCOME TO THE SINOSPHERE
Week 10 WHAT ON EARTH DO WE KNOW ABOUT KOREAN CINEMA TODAY?
[discussion]
Week 11 AKIRA, ANIME
Week 12 FILM FESTIVAL STUDIES: AN OVERVIEW (+ guest speaker)
Week 13 Group Presentations I
Week 14 Group Presentations II
Week 15 Thesis Workshop
Films screened in class/as homework (tentative):
J-Horror Titles
Parasite 기생충 2019
Dir. Bong Jonghoo
Extreme Private Eros: Love Song 1974・極私的エロス 恋歌1974 (1974)
Dir. HARA Kazuo・原一男
Katatsumori・かたつもり(1994)
Dir. KAWASE Naomi・河瀨直美
Bumming in Beijing/流浪北京, 1990
Dir. WU Wenguang/吳文光
Still Life/三峽好人, 2006
Dir. JIA Zhangke/賈樟柯
Akira (1988)
Dir. OTOMO Katsuhiro/大友克洋 |
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履修条件・関連する科目
Course Prerequisites and Related Courses | | | No requirement to take another course. |
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成績評価の方法と基準
Course Evaluation Method and Criteria | | Evaluation:
THREE times of absence=FAIL
20%+25% contribution to group discussions/presentations & Perusall Reading of ONE key text (weekly)
30% Reading Journal (15%x2)
25% Final Paper
Notes on Absence:
If a registered student is absent from the seminars for more than three times (including 3 times!), s/he would FAIL the course, UNLESS sufficient medical proof, or other formats of evidence is provided immediately. When you have to be absent for justified reasons, please contact the teacher as soon as possible.
Reading Journal Assignment: TBA
Final Paper: Due Date TBA. 1500-2000 words. (If you wish, you can go over the word limit.) Details and writing samples will be offered later.
To pass, students must earn 60 points in total. |
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教科書・テキスト
Textbook | | | a compilation of PDFed readings. Please join the introduction session on the first day to get the detailed syllabus. |
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参考書
Reference Book | | | a compilation of PDFed readings. Please join the introduction session on the first day to get the detailed syllabus. |
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課外学習等（授業時間外学習の指示）
Study Load(Self-directed Learning Outside Course Hours) | | | We require the students to access the Perusall platform and preview the readings BEFORE they come to join our lectures on a weekly basis (at least ONE key reading will be assigned each week). Sometimes homework viewing of certain film titles is required. |
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履修取り下げ制度（利用の有無）学部のみ
Course withdrawal | | |
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備考
Others | | | Reach out to Ma Ran here: ma.ran.d8@f.mail.nagoya-u.ac.jp |
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授業開講形態等
Lecture format, etc. | | | ZOOM (we expect in-person screenings when the COVID conditions are no longer serious). Confirm with the lecturer about the MEETING ID. |
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