学部・大学院区分
Undergraduate / Graduate
人文・博前
時間割コード
Registration Code
2012931
科目区分
Course Category
専門科目
Specialized Courses
カリキュラム年度
Curriculum
2021年度入学まで
教育プログラム・分野・専門等
Major
G30 JACS
科目名 【日本語】
Course Title
映像学への新視点(~2021入学)
科目名 【英語】
Course Title
New Perspectives on Cinema Studies (Enrolled in/before 2021)
コースナンバリングコード
Course Numbering Code
HUMJG5033E
担当教員 【日本語】
Instructor
馬 然 ○
担当教員 【英語】
Instructor
MA Ran ○
開講期・開講時間帯
Term / Day / Period
春 木曜日 2時限
Spring Thu 2
隔年開講
Biennial class
単位数
Credits
2
対象学年
Year
他学部生の受講の可否
Propriety of Other department student's attendance
授業形態
Course style
講義
Lecture
教職【入学年度】
Teacher's License
教職【教科】
Teacher's License
学芸員資格(該当の有無)
Curator's Qualifications
講義題目
Title


授業の目的 【日本語】
Goals of the Course(JPN)
授業の目的 【英語】
Goals of the Course
As rightly pointed out by art historian Boris Groys, “there is…nothing more traditional than an orientation to the new”. Traversing and re-examining some of the most exciting and pressing research topics/questions in Film Studies today, this lecture aims to generate refreshing insights into the study of Asian film cultures in a globalizing era. Specifically, our weekly lectures will look at contemporary cinema culture from two broadly intersecting aspects, 1) how cinemas engage contemporary (East) Asian societies aesthetically and politically; 2) how the cycle and dynamics of film production, circulation, exhibition (spectatorship) have been related to the discourses of national cinema, transnational cinema, and global cinema. Most case studied films are from the region of East Asia.
到達目標 【日本語】
Objectives of the Course(JPN)
授業の内容や構成
Course Content / Plan
(tentative weekly plan)
Week 1 INTRODUCTION

Week 2 REVISITING THE NATIONAL WITHIN THE EAST ASIAN CONTEXT

Week 3 TRANSNATIONAL CINEMA, THE JAPANESE CASE

Week 4 RETHINKING DOCUMENTARY CINEMA I: BUT WHAT IS DOCUMENTARY ANYWAY?

Week 5 RETHINKING DOCUMENTARY CINEMA II: ESSAY FILM, FIRST PERSON

Week 6 TOWARD FIRST-PERSON DOCUMENTARY: THE JAPANESE CASE STUDIES (Discussion)

Week 7 DEBATING XIANCHANG: RETHINKING CHINESE INDEPENDENT DOCUMENTARY

Week 8 DV CHINA: CHINESE INDEPENDENT CINEMA INTO THE 2000S (Discussion)

Week 9 WELCOME TO THE SINOSPHERE

Week 10 WHAT ON EARTH DO WE KNOW ABOUT KOREAN CINEMA TODAY?
[discussion]

Week 11 AKIRA, ANIME

Week 12 FILM FESTIVAL STUDIES: AN OVERVIEW (+ guest speaker)

Week 13 Group Presentations I

Week 14 Group Presentations II

Week 15 Thesis Workshop

Films screened in class/as homework (tentative):
J-Horror Titles

Parasite 기생충 2019
Dir. Bong Jonghoo

Extreme Private Eros: Love Song 1974・極私的エロス 恋歌1974 (1974)
Dir. HARA Kazuo・原一男

Katatsumori・かたつもり(1994)
Dir. KAWASE Naomi・河瀨直美

Bumming in Beijing/流浪北京, 1990
Dir. WU Wenguang/吳文光

Still Life/三峽好人, 2006
Dir. JIA Zhangke/賈樟柯

Akira (1988)
Dir. OTOMO Katsuhiro/大友克洋
履修条件・関連する科目
Course Prerequisites and Related Courses
No requirement to take another course.
成績評価の方法と基準
Course Evaluation Method and Criteria
Evaluation:
THREE times of absence=FAIL
20%+25% contribution to group discussions/presentations & Perusall Reading of ONE key text (weekly)
30% Reading Journal (15%x2)
25% Final Paper

Notes on Absence:
If a registered student is absent from the seminars for more than three times (including 3 times!), s/he would FAIL the course, UNLESS sufficient medical proof, or other formats of evidence is provided immediately. When you have to be absent for justified reasons, please contact the teacher as soon as possible.

Reading Journal Assignment: TBA

Final Paper: Due Date TBA. 1500-2000 words. (If you wish, you can go over the word limit.) Details and writing samples will be offered later.

To pass, students must earn 60 points in total.
教科書・テキスト
Textbook
a compilation of PDFed readings. Please join the introduction session on the first day to get the detailed syllabus.
参考書
Reference Book
a compilation of PDFed readings. Please join the introduction session on the first day to get the detailed syllabus.
課外学習等(授業時間外学習の指示)
Study Load(Self-directed Learning Outside Course Hours)
We require the students to access the Perusall platform and preview the readings BEFORE they come to join our lectures on a weekly basis (at least ONE key reading will be assigned each week). Sometimes homework viewing of certain film titles is required.
履修取り下げ制度(利用の有無)学部のみ
Course withdrawal
備考
Others
Reach out to Ma Ran here: ma.ran.d8@f.mail.nagoya-u.ac.jp
授業開講形態等
Lecture format, etc.
ZOOM (we expect in-person screenings when the COVID conditions are no longer serious). Confirm with the lecturer about the MEETING ID.