授業の目的 【日本語】
Goals of the Course(JPN) | | |
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授業の目的 【英語】
Goals of the Course | | | This course is designed to engage the students with important research perspectives in Film Studies on theory, method, and analysis. Building upon the study of a selection of films from both Hollywood productions and world cinema, we would navigate the students through several crucial strands of film theories and cultivate their ability in critically approaching the text, style, aesthetics, and the politics of the film works. |
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到達目標 【日本語】
Objectives of the Course(JPN) | | |
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授業の内容や構成
Course Content / Plan | | A tentatively schedule (subject to change)
NOTE: We may spend 2 weeks for one specific topic, including one week for in-class screening and/ or guest lecture.
Please join the introduction session to obtain the updated syllabus with detailed weekly readings.
1 INTRODUCTION
2 CINEMA OF ATTRACTION
3 MISE-EN-SCÈNE
4 MONTAGE/EDITING
5 WRESTLING WITH REALISM I
6 WRESTLING WITH REALISM II
7 UNPACKING AUTEUR I
8 UNPACKING AUTEUR II
9 GENRE (Train to Busan)
10 FEMINIST FILM THEORY: A SURVEY
11 FEMINIST FILM THEORY: INTERSECTIONALITY AND MORE
12 FORUM: THE POLITICS OF DOCUMENTARY
13 Paper Workshop |
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履修条件・関連する科目
Course Prerequisites and Related Courses | | | This advanced survey course is open to both undergraduate and graduate students who have demonstrated certain interest and background knowledge in visual and media studies and have the competency in reading and analyzing cinematic texts in English. Preferably we welcome students whose written and spoken English abilities are adequate enough for them to participate in presentations and to write short essays and so forth. |
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成績評価の方法と基準
Course Evaluation Method and Criteria | | Above THREE times (including 3 times) of absence=FAIL
35% Attendance & contribution to class discussion/presentation
30% Reading Response (15%x2)
10% Take Home Project (to be announced)
25% Final Paper
To pass, students must earn 60 points in total. |
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教科書・テキスト
Textbook | | a compilation of readings from various sources will be provided by the lecturer.
Do check out a detailed version of the syllabus provided on the first day of teaching. |
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参考書
Reference Book | | a compilation of readings from various sources will be provided by the lecturer.
Do check out a detailed version of the syllabus provided on the first day of teaching.
Suggested Readings for the whole Semester:
Elsaesser, Thomas & Buckland, Warren. Studying Contemporary American Films: a Guide to Movie Analysis, Bloomsbury Academic, 2002
Stam, Robert. Film Theory: An Introduction, Blackwell Publishing, 2000
Villarejo, Amy. Film Studies: The Basics, Routledge, 2nd edition, 2013 |
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課外学習等（授業時間外学習の指示）
Study Load(Self-directed Learning Outside Course Hours) | | | On some occasions, you are expected to watch film / media works on your own as part for the preparation of the course; one of the weekly readings (10-15 pages) will be a “MUST READ” on Perusall, and for advanced learners, we also expect you to read the “Reference Readings” (optional). |
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履修取り下げ制度（利用の有無）学部のみ
Course withdrawal | | |
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備考
Others | | |
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授業開講形態等
Lecture format, etc. | | | D-3）Remote course （Only remote classes including both simultaneous interactive and on-demand type ） |
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