学部・大学院区分
Undergraduate / Graduate
人文・博前
時間割コード
Registration Code
2021705
科目区分
Course Category
専門科目
Specialized Courses
カリキュラム年度
Curriculum
2022年度入学以降
教育プログラム・分野・専門等
Major
超域人文学P,G30 JACS
科目名 【日本語】
Course Title
視覚文化テクスト分析研究(2022入学~)
科目名 【英語】
Course Title
Critical Analysis of Visual Culture (Enrolled in/after 2022)
コースナンバリングコード
Course Numbering Code
HUMCS5105E
担当教員 【日本語】
Instructor
馬 然 ○
担当教員 【英語】
Instructor
MA Ran ○
開講期・開講時間帯
Term / Day / Period
春 木曜日 2時限
Spring Thu 2
隔年開講
Biennial class
単位数
Credits
2
対象学年
Year
他学部生の受講の可否
Propriety of Other department student's attendance
no
授業形態
Course style
講義
Lecture
教職【入学年度】
Teacher's License
教職【教科】
Teacher's License
学芸員資格(該当の有無)
Curator's Qualifications
講義題目
Title


授業の目的 【日本語】
Goals of the Course(JPN)
授業の目的 【英語】
Goals of the Course
This advanced course seeks to build up a foundational critical framework on visual culture through introducing to the students a wide spectrum of cultural theories closely associated with crucial intellectual debates and waves of thinking in modern and postmodern societies. Particularly, departing from the ways of seeing and ways of reading, we rethink important theories and concepts on vision and visuality constructed upon the interrelations between power, ideology, and subjectivity, while also turning to how modern technologies, social infrastructures, and so forth have mediated and transformed the ways of seeing and ways of reading. Our case studies are drawn from a wide range of contemporary cinema and media, digital cultural phenomena and so on and so forth.
到達目標 【日本語】
Objectives of the Course(JPN)
授業の内容や構成
Course Content / Plan
A tentative schedule (subject to change)
NOTE: We may spend 2 weeks for one specific topic, including one week for in-class screening and/ or guest lecture.

1 . INTRODUCTION
2.   CRITIQUE OF MODERNITY
3. VISION AND VISUALITY I: WHAT DO WE SEE WHEN WE REALLY SEE?
4. VISION AND VISUALITY II: I SEE, I EXIST
5. POWER AND GAZE I: SURVEILLANCE 
6. POWER AND GAZE II: ORIENTALISM & SEEING THE OTHER
7. DEBATING THE GENDER: I (intersectionality)
8. DEBATING THE GENDER: II (post/human feminism)
9. SPECTACLE AND SIMULACRA
10. HOW TO SEE YOURSELF? (DISCUSSION)
11. SHŌJO & SOCIAL MEDIA
12. IMAGE CULTURE IN THE GLOBAL AGE
13. FINAL PRESENTATION & FINAL PAPER WORKSHOP
履修条件・関連する科目
Course Prerequisites and Related Courses
This is an advanced lecture in visual studies and cultural theory. It is open to students who have demonstrated a certain interest and background knowledge in cinema & media studies, and have the competency in reading and analyzing cinematic texts in English. Preferably we welcome students whose written and spoken English abilities are adequate enough for them to
participate in presentations and to write short essays and so forth.
成績評価の方法と基準
Course Evaluation Method and Criteria
35% Participation; Attendance; contribution to class discussion (Perusall Reading Track is part of your “discussion+contribution”)
10% Take Home Project (TBA)
30% Response Papers (15%x2; each 300-word)
25% Final Paper

NOTE: Three absences (3 times or more) without proper evidence provided equals FAIL.
教科書・テキスト
Textbook
a compilation of digitized readings will be made available. Please join the introduction session for more information.
参考書
Reference Book
a compilation of digitized readings will be made available. Please join the introduction session for more information.
課外学習等(授業時間外学習の指示)
Study Load(Self-directed Learning Outside Course Hours)
On some occasions, you are expected to watch film / media works on your own as part for the preparation of the course; one of the weekly readings (10-15 pages) will be a “MUST READ” on Perusall, and for advanced learners, we also expect you to read the “Reference Readings” (optional).
履修取り下げ制度(利用の有無)学部のみ
Course withdrawal
yes.
備考
Others
Please write to Ma Ran [ma.ran.d8@f.mail.nagoya-u.ac.jp] for any inquiries.
授業開講形態等
Lecture format, etc.
A-1)Face-to-face course (Only face-to-face classes)