学部・大学院区分
Undergraduate / Graduate
人文・博前
時間割コード
Registration Code
2021707
科目区分
Course Category
専門科目
Specialized Courses
カリキュラム年度
Curriculum
2022年度入学以降
教育プログラム・分野・専門等
Major
超域人文学P,G30 JACS
科目名 【日本語】
Course Title
現代映像理論(英語)(2022入学~)
科目名 【英語】
Course Title
Contemporary Film Theory (E) (Enrolled in/after 2022)
コースナンバリングコード
Course Numbering Code
HUMCS5107E
担当教員 【日本語】
Instructor
藤木 秀朗 ○
担当教員 【英語】
Instructor
FUJIKI Hideaki ○
開講期・開講時間帯
Term / Day / Period
春 水曜日 5時限
春 水曜日 6時限
Spring Wed 5
Spring Wed 6
隔年開講
Biennial class
単位数
Credits
2
対象学年
Year
他学部生の受講の可否
Propriety of Other department student's attendance
授業形態
Course style
講義
Lecture
教職【入学年度】
Teacher's License
教職【教科】
Teacher's License
学芸員資格(該当の有無)
Curator's Qualifications
講義題目
Title


授業の目的 【日本語】
Goals of the Course(JPN)
この講義では、主として1960年代以降の欧米の映画理論史上の代表的な議論を理解し検討する。
授業の目的 【英語】
Goals of the Course
This class examines important conceptions and debates in the history of Western film theories that have appeared mainly after the 1960s.
到達目標 【日本語】
Objectives of the Course(JPN)
The class's objectives are that students develop (1) to grasp a basic history of film theory, (2) to nurture their critical view on cinema and other types of media, and (3) to develop their knowledge and thoughts on a wider range of socio-cultural theories and their histories.
授業の内容や構成
Course Content / Plan
More specific goals are:
(1) to understand contemporary film theories
(2) to nurture a critical and analytical view on visual media, particularly cinema
(3) to to develop each student's knowledge and questions with a wide scope of contemporary intellectual thoughts

1 Introduction
2 Structuralism, Semiotics
3 Post-structuralism
4 Ideology theory
5 Psychoanalysis
6 Rear Window (Hitchcock, 1954)
7 Feminism and gender
8 Late Spring (Banshun, Ozu, 1949)
9 Neo-formalism AND Cognitive theory
10 Cultural studies
11 Modernity
12 New media, transmedia
13 Last Year at Marienbad (L’Année demière à Marienbad, Resnais, 1961)
14 Deleuze
15 Conclusion and eveluation
履修条件・関連する科目
Course Prerequisites and Related Courses
No requirement to take another course.
成績評価の方法と基準
Course Evaluation Method and Criteria
30% Participation and contribution to class discussion (including presentation)
30% Quiz
40% Term exam
教科書・テキスト
Textbook
Althusser, Louis (1971) “Ideology and Ideological State Apparatuses,” in Lenin and Philosophy and Other Essays, trans. Ben Brewster. New York and London: Monthly Review Press/ Lénine et la Philosophie. Paris: F. Maspero, 1969.

Barthes, Roland (1985) The Responsibility of Forms: Critical Essays on Music, Art, and Representation, trans. Richard Howard. Berkeley: University of California Press

Baudry, Jean-Lois (1970) “Ideological Effects of the Basic Cinematographic Apparatus,” trans. Alan Williams. In A Film Reader: Narrative, Apparatus, Ideology, ed. Philip Rosen. Bloomington: Indiana University Press, 1981.

Bordwell, David (1988) Ozu and the Poetics of Cinema. Princeton: Princeton University Press.

de Saussure (1966) Course in General Linguistics, ed. Charles Baly and Albert Sechehaye, trans. Wade Baskin. New York: McGraw-Hill/ Cours de linguistique générale. Paris: Payot, 1922.

Deleuze, Gilles (1986) Cinema 1: The Movement-Image, trans. Hugh Tomlinson and Barbara Habberjam. Minneapolis: University of Minnesota Press.

Deleuze, Gilles (1989) Cinema 2: The Time-Image, trans. Hugh Tomlinson and Robert Galeta. Minneapolis: University of Minnesota Press.

Hall, Stuart (1982) “The Rediscovery of ‘Ideology’: Return of the Repressed in Media Studies.” In Culture, Society and the Media, eds. Michael Gurevitch, Tony Bennett, James Curran and Janet Woollacott. London and New York: Routledge.

Hansen, Miriam (1993) “Early Cinema, Late Cinema: Transformation of the Public Sphere.” Screen 34.3 (Autumn). Reprinted in Ways of Seeing: Ways of Seeing Film, ed. Linda Williams. New Brunswick, N.J.: Rutgers University Press, 1994.

Hansen, Miriam (2000) “Fallen Women, Rising Stars, New Horizons: Shanghai Silent Film As Vernacular Modernism.” Film Quarterly vol. 54, issue 1 (2000): 10-22.

Metz, Christian (1974) Film Language: A Semiotics of the Cinema, trans. 14-26Michael Taylor. Chicago: University of Chicago Press

Metz, Christian (1982) The Imaginary Signifier: Psychoanalysis and the Cinema, trans. Celia Britton et al. Bloomington: Indiana University Press

Manovich, Lev (2001) The Language of New Media. Cambridge: MIT Press.

Mulvey, Laura (1975) “Visual Pleasure and Narrative Cinema.” In Laura Mulve. Visual and Other Pleasures. Bloomington: Indiana University Press, 1989.
参考書
Reference Book
Hayward, Susan (2017) Cinema Studies: The Key Concepts. Routledge.
課外学習等(授業時間外学習の指示)
Study Load(Self-directed Learning Outside Course Hours)
Students must read the assigned texts in advance to each class so that they can actively participate in the discussion. Moreover, at the beginning of each lecture, a student is required to give a 5-minute presentation followed by 10-minute discussion. S/he does so by answering the question the instructor has given in the last class and then by leading Q&As. All students are required to take this role in rotation.
履修取り下げ制度(利用の有無)学部のみ
Course withdrawal
Yes.
備考
Others
17:30-19:00
授業開講形態等
Lecture format, etc.
A-1)Face-to-face course (Only face-to-face classes)