学部・大学院区分
Undergraduate / Graduate
人文・博前
時間割コード
Registration Code
2022911
科目区分
Course Category
専門科目
Specialized Courses
カリキュラム年度
Curriculum
2022年度入学以降
教育プログラム・分野・専門等
Major
G30 LCS
科目名 【日本語】
Course Title
文化研究概論(2022入学~)
科目名 【英語】
Course Title
Introduction to Studies of Culture (Enrolled in/after 2022)
コースナンバリングコード
Course Numbering Code
HUMLG6111E
担当教員 【日本語】
Instructor
MC GEE Dylan Patrick ○
担当教員 【英語】
Instructor
MC GEE Dylan Patrick ○
開講期・開講時間帯
Term / Day / Period
春 月曜日 3時限
Spring Mon 3
隔年開講
Biennial class
単位数
Credits
2
対象学年
Year
他学部生の受講の可否
Propriety of Other department student's attendance
授業形態
Course style
講義
Lecture
教職【入学年度】
Teacher's License
教職【教科】
Teacher's License
学芸員資格(該当の有無)
Curator's Qualifications
講義題目
Title


授業の目的 【日本語】
Goals of the Course(JPN)
授業の目的 【英語】
Goals of the Course
-- Students will become conversant with theories and methodologies currently used in fan studies, especially auto/ethnography, immersion, interviews, historiography, and textual analysis

-- Students will develop practical skills for collecting and analyzing fan works (fan fiction, fan art, dojinshi and other transformative works) relevant to their research

-- Students will learn how to conduct ethnographic research into fan communities according to ethical standards of AoIR
到達目標 【日本語】
Objectives of the Course(JPN)
授業の内容や構成
Course Content / Plan
This graduate seminar is a survey in fan studies theory and methodologies, intended for MA and PhD students working in the areas of popular culture or media studies. Media convergence has fundamentally changed the way we consume entertainment in the first decades of the twenty-first century, enabling unprecedented access to fan objects (like media texts or celebrity performers), blurring the lines between producers and consumers (i.e., "prosumers") and giving rise to new social formations based on shared fan attachments. Fan studies scholars cross traditional disciplinary lines (like cultural studies, media studies, anthropology, psychology, etc.) in order to better understand what is happening in our current moment and what impact these changes are having on individuals, communities, and media industries.

We will begin this class with the pioneering work of "first wave" fan studies like John Fiske and Henry Jenkins on fan subversion and resistance, followed by the sociological turn in "second wave" fan studies and psychological turn in "third-wave" fan studies. Most of our attention, however, will be focused on the interesting work that is being done currently in the areas of post-object and post-convergent fandom and fan worlds.

Please note this seminar is intended primarily for Master’s level students in the Graduate School of Humanities (including LCS and JACS). Undergraduate students who are interested in the class should write for more information about the possibility of enrollment. NUPACE students should not sign up for this course unless they are actively working on a thesis related to media fandom AND they have consulted with me beforehand.
履修条件・関連する科目
Course Prerequisites and Related Courses
This seminar is intended for graduate students who are writing a thesis related to media fandom. MA and PhD students working in this area are welcome to enroll. NUPACE students and undergraduate students should not sign up for the course without consulting with me first.
成績評価の方法と基準
Course Evaluation Method and Criteria
Participation 30%
Literature Review 30%
Research Project 40% (this may take the form of an essay or thesis chapter)

To pass, students must earn 60% or higher
教科書・テキスト
Textbook
Texts will be chosen in consultation with the students, and according to their research interests.
参考書
Reference Book
References will be provided on the first day of class.
課外学習等(授業時間外学習の指示)
Study Load(Self-directed Learning Outside Course Hours)
Students should expect to spend at least three works per week on reading and assignments.
履修取り下げ制度(利用の有無)学部のみ
Course withdrawal
Students who wish to drop the class should do so by the deadline.
備考
Others
授業開講形態等
Lecture format, etc.
A-1)対面授業科目(対面のみ)